The chronicle of a repression announced for 10 years was completed yesterday with the eviction of the Embros theatre. A space that began as a response to the capital’s overthrow of iconic urban landmarks is sealed off to be overpowered.
The occupation of the Embros Theatre was the appropriation of a decaying cultural tool and its true utilization by people of art, politics, and the neighborhood. All these masses of people who passed, the participants and producers of another culture testing its grips, can attest to this but also reflect on what its loss signifies.
In the midst of the pandemic, in the most gentrified area for the capital’s small and large tourist capital, Embros was a thorn, not only for its political flavour but also for constituting an agitated and agressive voice at the centre of the tourist product. Something like a stronghold a few meters from the tables of the occupied city held parties, theatre performances, speeches, events, concerts, seminars, collective kitchens, festivals… For free. Organized horizontally. And without discrimination, neither ethnic, nor racial, nor, unfortunately for gentrification. [Read More]
